Lang’s entrancingly dark fairy tale packs a tremendous emotional impact into a truly magical performance, sure to be a highlight of the season, made even more profound paired with Mozart: his ingenious piano fantasy and a powerfully intense string quartet.
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ANNE-MARIE MCDERMOTT, PIANO
DOVER QUARTET, STRINGS
ROOMFUL OF TEETH, VOCAL ENSEMBLE
DAVID LANG: The Little Match Girl Passion
MOZART: Fantasy for Solo Piano in D minor
MOZART: String Quartet in D minor, K. 421
DAVID LANG: LITTLE MATCH GIRL PASSION
MOZART: FANTASY FOR SOLO PIANO IN D MINOR
MOZART: STRING QUARTET IN D MINOR, K. 421
ANNE-MARIE MCDERMOTT, piano
Pianist and Bravo! Vail Artistic Director Anne-Marie McDermott is a consummate artist who balances a versatile career as a soloist and collaborator. She performs over 100 concerts a year in a combination of solo recitals, concerti, and chamber music.
DOVER QUARTET, strings
Recently named the Cleveland Quartet Award winner, and awarded the coveted Avery Fisher Career Grant, the Dover Quartet has become one of the most in-demand ensembles in the world.
ROOMFUL OF TEETH, vocal project
Roomful of Teeth is a GRAMMY-winning vocal project dedicated to reimagining the expressive potential of the human voice.
ANNE-MARIE MCDERMOTT, piano
Pianist Anne-Marie McDermott is a consummate artist who balances a versatile career as a soloist and collaborator. She performs over 100 concerts a year in a combination of solo recitals, concerti and chamber music. Her repertoire choices are eclectic, spanning from Bach and Haydn to Prokofiev and Scriabin to Kernis, Hartke, Tower and Wuorinen.
With over 50 concerti in her repertoire, Ms. McDermott has performed with many leading orchestras including the New York Philharmonic, Minnesota Orchestra, Dallas Symphony, Columbus Symphony, Seattle Symphony, National Symphony, Houston Symphony, Colorado Symphony, Pittsburgh Symphony, St. Louis Symphony, Atlanta Symphony, Los Angeles Chamber Orchestra, Moscow Virtuosi, Hong Kong Philharmonic, San Diego Symphony, New Jersey Symphony and Baltimore Symphony among others. Ms. McDermott has toured with the Australian Chamber Orchestra and the Moscow Virtuosi.
In the recent seasons, Ms. McDermott performed with the Philadelphia Orchestra, Buffalo Philharmonic, North Carolina Symphony, Charlotte Symphony, Huntsville Symphony, Alabama Symphony, San Diego Symphony, the Oregon Mozart Players, and the New Century Chamber Orchestra.
Recital engagements have included the 92nd Street Y, Alice Tully Hall, Town Hall, The Schubert Club, Kennedy Center, as well as universities across the country. Anne-Marie McDermott has curated and performed in a number of intense projects including: the Complete Prokofiev Piano Sonatas and Chamber Music, a Three Concert Series of Shostakovich Chamber Music, as well as a recital series of Haydn and Beethoven Piano Sonatas. Most recently, she commissioned works of Charles Wuorinen and Clarice Assad which were premiered in May 2009 at Town Hall, in conjunction with Bach’s Goldberg Variations.
As a soloist, Ms. McDermott has recorded the complete Prokofiev Piano Sonatas, Bach English Suites and Partitas (which was named Gramophone Magazine’s Editor’s Choice), and most recently, Gershwin Complete Works for Piano and Orchestra with the Dallas Symphony and Justin Brown.
In addition to her many achievements and association with Bravo! Vail, McDermott is also Artistic Director of two other festivals; The Ocean Reef Chamber Music Festival in the Florida Keys and The Avila Chamber Music Celebration in Curaçao, off the coast of Venezuela.
As a chamber music performer, Anne-Marie McDermott was named an artist member of the Chamber Music Society of Lincoln Center in 1995 and performs and tours extensively with them each season. She also continues a long standing collaboration with the highly acclaimed violinist, Nadja Salerno Sonnenberg. As a duo, they have released a CD titled “Live” on the NSS label and plan to release the Complete Brahms Violin and Piano Sonatas in the future. Ms. McDermott is also a member of the renowned piano quartet, Opus One, with colleagues Ida Kavafian, Steven Tenenbom and Peter Wiley.
She continues to perform each season with her sisters, Maureen McDermott and Kerry McDermott in the McDermott Trio. Ms. McDermott has also released an all Schumann CD with violist, Paul Neubauer, as well as the Complete Chamber Music of Debussy with the Chamber Music Society of Lincoln Center.
Ms. McDermott studied at the Manhattan School of Music with Dalmo Carra, Constance Keene and John Browning. She was a winner of the Young Concert Artists auditions and was awarded an Avery Fisher Career Grant.
In addition to her duties at Bravo! Vail, Anne-Marie McDermott regularly performs at Festivals across the United States including Spoleto, Mainly Mozart, Sante Fe, La Jolla Summerfest, Mostly Mozart, Newport, Caramoor, Chamber Music Northwest, Aspen, Music from Angelfire, and the Festival Casals in Puerto Rico, among others.
Photo: Zach Mahone
DOVER QUARTET, strings
The phenomenal Dover Quartet catapulted to international stardom following a stunning sweep of the 2013 Banff Competition. Recently named the Cleveland Quartet Award winner, and awarded the coveted Avery Fisher Career Grant, the Dover has become one of the most in-demand ensembles in the world. The Quartet’s rise from up-and-coming young ensemble to occupying a spot at the top of their field has been “practically meteoric” (Strings). With its burnished warmth, incisive rhythms, and natural phrasing, the Quartet’s distinctive sound has helped confirm its status as “the young American string quartet of the moment” (New Yorker). The Quartet serves as the quartet-in-residence for the Bienen School of Music at Northwestern University.
In 2017-18 the Dover Quartet performs more than a hundred concerts around North America and Europe. The Quartet opens the season with performances for Texas Performing Arts, Chamber Music Houston, and Performance Santa Fe before appearing for the Kennedy Center, Philadelphia Chamber Music Society, Library of Congress, Detroit Chamber Music Society, the La Jolla Music Society, and throughout North America and Europe. The Quartet will perform together with the superstar violinist Janine Jansen and pianist Jean-Yves Thibaudet in Carnegie Hall’s Stern Auditorium, and will also continue multi-year residencies for the Walton Arts Center’s Artosphere, Peoples’ Symphony, and the Amelia Island Chamber Music Festival.
Cedille Records releases the Quartet’s sophomore album, entitled Voices of Defiance: 1943, 1944, 1945 in October 2017. The recording takes listeners on a powerful journey through works written during World War II by Viktor Ullmann, Dimitri Shostakovich, and Simon Laks. The 2016-17 season saw the release of its all-Mozart debut recording on the Cedille label, a nod to the 1965 debut album of the Guarneri Quartet, whose founding violist, Michael Tree, joined the Dover Quartet on the recording.
In addition, the group undertook three complete Beethoven quartet cycles, including the University at Buffalo’s famous “Slee Cycle,” which has presented annual Beethoven quartet cycles since 1955 and has featured the likes of the Budapest, Guarneri, and Cleveland Quartets. Rounding out the Quartet’s season were a five-city U.S. tour with bassist-composer Edgar Meyer, a tour of the West Coast with mandolinist Avi Avital, and a European tour. The 2015-16 season included debuts at Carnegie Hall, Yale University, the Lucerne Festival, and as part of the
Lincoln Center “Great Performers” series. Festival appearances have taken the ensemble to the Bard Music Festival, Music at Menlo, La Jolla SummerFest, Artosphere, Chamber Music Northwest, and Caramoor, where the Quartet was named the 2013-14 Ernst Stiefel String Quartet-in-Residence. The group’s world-class collaborators have included pianists Anne-Marie McDermott, Marc-André Hamelin, Peter Serkin, and Jon Kimura Parker; clarinetist David Shifrin; violists Roberto Díaz and Cynthia Phelps; and the Pacifica and Escher Quartets.
In the spring of 2016, the Dover Quartet was recognized with the Hunt Family Award, one of the inaugural Lincoln Center Emerging Artist Awards, and in past years has taken top prizes at the Fischoff Competition and the Wigmore Hall International String Quartet Competition. All four Quartet members are consummate solo artists: first violinist Joel Link took first prize at the Menuhin Competition; violinist Bryan Lee and violist Milena Pajaro-van de Stadt have appeared as soloists with the Philadelphia Orchestra and Tokyo Philharmonic, respectively; and cellist Camden Shaw released a solo album debut on the Unipheye Music label. As Strad magazine observes, “With their exceptional interpretative maturity, tonal refinement, and taut ensemble,” the Dover Quartet is “pulling away from their peers.”
Hailed as “the next Guarneri Quartet” (Chicago Tribune), the Dover Quartet draws from the lineage of that distinguished ensemble, as well that of the Cleveland and Vermeer Quartets; its members studied at the Curtis Institute of Music and Rice University’s Shepherd School of Music, where they were mentored extensively by Shmuel Ashkenasi, James Dunham, Norman Fischer, Kenneth Goldsmith, Joseph Silverstein, Arnold Steinhardt, Michael Tree, and Peter Wiley. It was at Curtis that the Quartet first formed, and its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber. The group has since returned for residencies to Rice in 2011-13, and to Curtis, where it became the conservatory’s first Quartet-in-Residence, in 2013-14. In addition, in 2015 the Dover was appointed the first Resident Ensemble of Peoples’ Symphony Concerts in the 116-year history of New York City’s oldest concert series.
The Dover Quartet is dedicated to sharing its music with under-served communities and is actively involved with Music for Food, an initiative enabling musicians to raise resources and awareness in the fight against hunger.
Photo: Carlin Ma
ROOMFUL OF TEETH, vocal project
Roomful of Teeth is a GRAMMY-winning vocal project dedicated to reimagining the expressive potential of the human voice. Through study with masters from vocal traditions the world over, the eight-voice ensemble continually expands its vocabulary of singing techniques and, through an ongoing commissioning process, forges a new repertoire without borders.
Founded in 2009 by Brad Wells, Roomful of Teeth gathers annually at the Massachusetts Museum of Contemporary Art (MASS MoCA) in North Adams, Massachusetts, where they’ve studied with some of the world’s top performers and teachers in Tuvan throat singing, yodeling, Broadway belting, Inuit throat singing, Korean P’ansori, Georgian singing, Sardinian cantu a tenore, Hindustani music, Persian classical singing and Death Metal singing. Collaborators include Rinde Eckert, Fred Hersch, Glenn Kotche, Merrill Garbus (of tUnE-yArDs), William Brittelle, ACME (American Contemporary Music Ensemble), Nick Zammuto (of The Books), Toby Twining, ICE (International Contemporary Ensemble), Ted Hearne, Silk Road Ensemble and Ambrose Akinmusire, among many others.
Photo: Bonica Ayala
Classically Uncorked Series
Classically Uncorked Series
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Where are the performances held?
Bravo! Vail Classically Uncorked concerts at held at Donovan Pavilion, located on the South Frontage Road near West Vail: 1600 S Frontage Rd W, Vail, CO 81657
What time do performances begin?
Concerts start punctually at 7:30pm. Doors open 30 minutes prior. Late seating will be at the completion of the first movement or after the first piece, as directed by the Bravo! Vail Guild volunteers.
How long do concerts last?
Concerts generally last 90 minutes to 2 hours with a scheduled intermission.
How do I buy tickets?
Tickets and gift certificates may be ordered in the following ways:
• Phone: 877.812.5700 or Fax 970.827.5707
• Mail or in-person: Bravo! Vail 2271 N Frontage Rd W Suite C, Vail, CO 81657
• Email: firstname.lastname@example.org
Ticket delivery methods are Mail, Print at Home, and Will Call. Bravo! Vail accepts all major credit cards: Amex, Visa, MasterCard and Discover; cash, and checks with proper identification. There is a $2 order fee per ticket.
What are the Box Office hours?
Bravo! Vail Box Office hours are Monday through Friday from 9am to 4pm. Starting June 17, hours include Saturday and Sunday from 10am to 4pm. The Bravo! Vail Box Office can be reached at 877.812.5700.
Tickets are also sold onsite at the Donovan Pavilion on concert days, one hour prior to concert.
Where is the Will Call window?
Will Call tickets may be picked up at the Box Office located to the right of the main entrance lobby. The Box Office is open 11am to concert start time beginning mid-June. Will Call tickets may also be picked up during concert intermissions.
Does Bravo! Vail offer group pricing?
Group sales discounts of up to 15% for groups of 15 or more are available to select concerts. Please call 970.827.4316 for more information, or view the Group Sales page.
What if I buy tickets and cannot attend?
All sales are final. If you are unable to attend your concert, please call the Box Office at 877.812.5700 at least two hours prior to the concert to donate the tickets for resale or drop them off at the venue so seats can be filled by another music lover. You will receive a ticket release receipt in the mail. If you wish to give tickets to a friend, you may call the Box Office to leave them in your friend's name at Will Call.
What food and beverages are available at the concert?
Gourmet hors d’oeuvres and two glasses of wine are included with each Classically Uncorked concert ticket.
What is the seating plan?
Seating for Classically Uncorked concerts is reserved seating at designated tables. ADA (American Disability Act) accessible seating is available, please contact the box office for assistance to ensure your comfort and ease of access.
What should I wear?
There is no dress code for concerts — wear what makes you most comfortable! You can dress formally, or opt for jeans and a t-shirt, or anything in between.
What if I misplace or forget to bring my tickets?
The Box Office can reprint your tickets if needed.
What if I lose something at the concert?
Call the Bravo! Vail Box Office 970.827.5700 or the Donovan Pavilion 970.477.3699.
What are some general rules of concert etiquette?
Please arrive before the concert begins to allow time for parking and seating. Please limit conversation so others may enjoy the music. Please turn off phones. Parental supervision is required for all children attending Bravo! Vail concerts.
What is the Classically Uncorked Child Policy?
The Classically Uncorked concert experience is very intimate. There are no places at the Donovan Pavilion with areas for children to relocate to and take a break. While there is really no “right” age for bringing your child to a chamber concert, Bravo! Vail strongly recommends children are six or older, and caution that a chamber music concert might not be the best introductory experience to classical music for a child. However, you know your child best and can judge their readiness for experiencing a chamber music concert and if they will be able to sit quietly through the performance.
What if I still have questions?
Please don’t hesitate to contact the Box Office at 877.812.5700 Monday–Friday 9am–4pm MST with any questions you have.