Elgar’s profoundly expressive Cello Concerto -- a signature work for the “extraordinary” (Chicago Tribune) Alisa Weilerstein -- is followed with one of the best-known works in classical music: Beethoven's Fifth.
NEW YORK PHILHARMONIC
JOSHUA WEILERSTEIN, CONDUCTOR
ALISA WEILERSTEIN, SOLO CELLO
GEORGE WALKER: Lyric for Strings
ELGAR: Cello Concerto
BEETHOVEN: Symphony No. 5
GEORGE WALKER: LYRIC FOR STRINGS
ELGAR: CELLO CONCERTO
BEETHOVEN: SYMPHONY NO. 5
JOSHUA WEILERSTEIN, conductor
Joshua Weilerstein's clarity of musical expression, unforced manner and deep natural musicianship connects him with orchestras and has led him to conduct extensively in both Europe and America.
ALISA WEILERSTEIN, cello
In performances marked by intensity, sensitivity, and a wholehearted immersion in each of the works she interprets, the American cellist has long proven herself to be in possession of a distinctive musical voice.
JOSHUA WEILERSTEIN, conductor
Joshua Weilerstein is the Artistic Director of the Orchestre de Chambre de Lausanne. His clarity of musical expression, unforced manner and deep natural musicianship connects him with orchestras and has led him to conduct extensively in both Europe and America. His enthusiasm for a wide range of repertoire is combined with an ambition to bring new audiences to the concert hall.
In the 2017/18 season, Weilerstein makes his debut with the Bamberg Symphony, BBC Philharmonic, and West Australian Symphony Orchestra. He returns to the Milwaukee Symphony, Vancouver Symphony, Naples Philharmonic, and the St. Paul Chamber Orchestra in both a subscription week and a tour to the west coast. In Europe, he will work with the Oslo Philharmonic, Swedish Chamber Orchestra, Lahti Symphony Orchestra, Orchestre Philharmonique de Radio France, Deutsche Kammerphilharmonie Bremen, Royal Liverpool Philharmonic, and Netherlands Philharmonic. On tour with the Orchestre de Chambre de Lausanne and Juan Diego Florez, he will give performances in Berlin, Paris, Vienna and Amsterdam. He also returns to Australia to conduct the Melbourne Symphony Orchestra.
In July 2017, Weilerstein made his debut at the BBC Proms at London's Royal Festival Hall conducting the BBC Symphony Orchestra with his sister, Alisa Weilerstein, as soloist. He made his debut with the National Symphony Orchestra with Yo-Yo Ma as soloist in May 2017.
Joshua Weilerstein's career was launched after winning both the First Prize and the Audience Prize at the 2009 Malko Competition for Young Conductors in Copenhagen. He then completed a three-year appointment as Assistant Conductor of the New York Philharmonic. Since then, he has steadily gained a growing profile in North America and abroad, including recent guest conducting engagements with the symphony orchestras of Baltimore, Dallas, Detroit, Fort Worth, Indianapolis, Milwaukee, North Carolina, San Diego, Calgary, Québec, and Vancouver; the Los Angeles Chamber Orchestra, National Arts Centre Orchestra, and the Aspen Music Festival, among others. In Europe, he has established a number of strong relationships, for example with the Oslo Philharmonic - where he returns each season, Danish National Symphony Orchestra, Stockholm Philharmonic, and the Swedish Chamber Orchestra. Elsewhere in Europe and the UK, he has conducted the Royal Concertgebouw Orchestra, Rotterdam Philharmonic, Czech Philharmonic, SWR Stuttgart, NDR Hannover, Mahler Chamber Orchestra, Orchestre Philharmonique de Radio France, Orchestre National de Lyon, BBC Symphony, London Phiharmonic, and Royal Liverpool Philharmonic.
Weilerstein believes passionately in programming both traditional and contemporary repertoire and endeavors to include, whenever possible, at least one piece by a living composer in each of his programs. He is committed to music education both on and off the podium and hosts a successful podcast, Sticky Notes, for music lovers and casual listeners alike. Weilerstein was actively involved in Young People's Concerts during his time as the Assistant Conductor with the New York Philharmonic, and served as Concertmaster of Discovery Ensemble, a Boston-based chamber orchestra dedicated to presenting classical music to inner-city schools in Boston. With the Orchestre Chamber de Lausanne, Weilerstein is deeply committed to the educational and Discovery series of concerts for children and families.
Joshua Weilerstein feels that it is essential to have an open communication between the stage and audience and is always excited to hear from musicians and audiences alike. He is accessible on social media for conversations about the future of classical music, programming, and the experience of concert-going.
Photo: Felix Broede
ALISA WEILERSTEIN, cello
“A young cellist whose emotionally resonant performances of both traditional and contemporary music have earned her international recognition, … Weilerstein is a consummate performer, combining technical precision with impassioned musicianship.” So stated the MacArthur Foundation when awarding Alisa Weilerstein a 2011 MacArthur “genius grant” Fellowship, prompting the New York Times to respond: “Any fellowship that recognizes the vibrancy of an idealistic musician like Ms. Weilerstein … deserves a salute from everyone in classical music.” In performances marked by intensity, sensitivity, and a wholehearted immersion in each of the works she interprets, the American cellist has long proven herself to be in possession of a distinctive musical voice. An exclusive recording artist for Decca Classics since 2010, she is the first cellist to be signed by the prestigious label in more than 30 years.
Weilerstein releases her fifth album on Decca in September 2016, playing Shostakovich’s two cello concertos with the Bavarian Radio Symphony under Pablo Heras-Casado, in performances recorded live last season. Her 2016-17 season also includes, for the first time in her career, performances of Bach’s complete suites for unaccompanied cello: at Caramoor, in Washington, DC, New York and in London. In January she embarks on a nine-city U.S. tour with longtime recital partner Inon Barnatan and clarinetist Anthony McGill, including a performance at New York’s Lincoln Center in Alice Tully Hall. The trio’s tour will include the world premiere of a piece written by Joseph Hallman specifically for this ensemble. She tours Europe with Barnatan later in the spring, with performances in Salzburg and a return to Wigmore Hall in London. Her busy international concert schedule this season features performances around the globe: she performs Britten’s Cello Symphony with the New World Symphony; Shostakovich’s First Cello Concerto with the Lausanne Chamber Orchestra, the Netherlands Philharmonic, and the National Symphony in both Washington, DC and Moscow; Prokofiev’s Sinfonia concertante with the Royal Stockholm Philharmonic and the Dallas Symphony; Schumann with the San Francisco Symphony, and at Carnegie Hall in the company of the Orpheus Chamber Orchestra, with which she then tours the same program to Italy and Spain; Elgar with the Staatskapelle Weimar; Walton with Amsterdam’s Residentie Orkest; and Dvořák with the Minnesota Orchestra, Sydney Symphony, and the Tokyo Symphony on a three-stop tour of Japan, where she will also play four solo recitals. The cellist also performs Henri Dutilleux’s Tout un monde lointain… with Lisbon’s Gulbenkian Orchestra, and gives the world premiere of Matthias Pintscher’s Cello Concerto with the Boston Symphony Orchestra, which co-commissioned the piece for her.
The 2015-16 season saw Weilerstein give the world premiere of another new concerto commissioned expressly for her from a major European composer, Pascal Dusapin’s Outscape, which she performed with the co-commissioning Chicago Symphony before giving its first European performances with the Stuttgart and Paris Opera Orchestras. Other concerto performances included Prokofiev’s Sinfonia concertantewith the Czech Philharmonic; Elgar with the London Symphony; Schumann with the Orchestre de Paris; Dutilleux’s Tout un monde lointain…with Hamburg’s NDR Symphony and the Orchestra del Maggio Musicale Fiorentino; Hindemith with the Frankfurt Radio Symphony; Tchaikovsky with the Orchestre de la Suisse Romande; Haydn with the Bavarian Radio Symphony and the Deutsche Kammerphilharmonie Bremen; and Barber with the National Symphony in Washington, DC. Weilerstein made her Lucerne Festival Debut this past spring, playing the Dvořák Cello Concerto with the Chamber Orchestra of Europe under Bernard Haitink. In the summer of 2016, she gave the BBC Proms premiere of Matthias Pintscher’s Reflections of Narcissus to rave reviews, with Pintscher himself conducting. Following the October release of their duo album debut on Decca with sonatas by Chopin and Rachmaninoff, Weilerstein reunited with Inon Barnatan for tours of the U.S. and of seven European capitals, including a return to London’s Wigmore Hall.
For her first album on the Decca label, Weilerstein recorded the Elgar and Elliott Carter cello concertos with Daniel Barenboim and the Staatskapelle Berlin. The disc was named “Recording of the Year 2013” by BBC Music, which featured the cellist on the cover of its May 2014 issue. Her second Decca release, on which she plays Dvořák’s Cello Concerto with the Czech Philharmonic, topped the U.S. classical chart, while her third, a compilation of unaccompanied 20th-century cello music titled Solo, was pronounced an “uncompromising and pertinent portrait of the cello repertoire of our time” (ResMusica, France). Solo’s centerpiece is the Kodály sonata, a signature work that Weilerstein revisits on the soundtrack of If I Stay, a 2014 feature film starring Chloë Grace Moretz in which the cellist makes a cameo appearance as herself.
Weilerstein has appeared with all the foremost orchestras of the United States and Europe, collaborating with conductors including Marin Alsop, Sir Andrew Davis, Gustavo Dudamel, Sir Mark Elder, Christoph Eschenbach, Alan Gilbert, Giancarlo Guerrero, Manfred Honeck, Marek Janowski, Neeme Järvi, Paavo Järvi, Jeffrey Kahane, Lorin Maazel, Cristian Măcelaru, Zubin Mehta, Ludovic Morlot, Yannick Nézet-Séguin, Peter Oundjian, Matthias Pintscher, Donald Runnicles, Yuri Temirkanov, Michael Tilson Thomas, Jaap van Zweden, Osmo Vänskä, Simone Young and David Zinman. Her major career milestones include an emotionally tumultuous account of Elgar’s concerto with the Berlin Philharmonic and Daniel Barenboim in Oxford, England, for the orchestra’s 2010 European Concert, which was televised live to an audience of millions worldwide and subsequently released on DVD by EuroArts. She and Barenboim reunited in 2012-13 to play Elliott Carter’s concerto on a German tour with the Berlin Staatskapelle. In 2009, she was one of four artists invited by Michelle Obama to participate in a widely celebrated and high profile classical music event at the White House, featuring student workshops hosted by the First Lady, and performances in front of an audience that included President Obama and the First Family. A month later, Weilerstein toured Venezuela as soloist with the Simón Bolívar Symphony Orchestra under Gustavo Dudamel. She has since made numerous return visits to teach and perform with the orchestra as part of its famed El Sistema music education program. Other highlights of recent seasons include her debut at the BBC Proms in 2010, and with England’s Academy of St. Martin in the Fields, which she joined in 2013 for a 16-city U.S. tour.
Committed to expanding the cello repertoire, Weilerstein is an ardent champion of new music. She gave the New York premiere of Matthias Pintscher’s Reflections on Narcissus under the composer’s own direction during the New York Philharmonic’s inaugural 2014 Biennial, and has worked extensively with Osvaldo Golijov, who rewrote Azul for cello and orchestra (originally premiered by Yo-Yo Ma) for her New York premiere performance at the opening of the 2007 Mostly Mozart Festival. Weilerstein has since played the work with orchestras around the world, besides frequently programming the Argentinean composer’s Omaramor for solo cello. At the 2008 Caramoor festival, she gave the world premiere of Lera Auerbach’s 24 Preludes for Violoncello and Piano with the composer at the keyboard, and the two have subsequently reprised the work at the Schleswig-Holstein Festival, the Kennedy Center, and for San Francisco Performances. Joseph Hallman, a 2014 Grammy Award nominee, has also written multiple works for Weilerstein, including a cello concerto that she premiered with the St. Petersburg Philharmonic in 2008, and a trio that she premieres on tour with Barnatan and clarinetist Anthony McGill in the spring of 2017.
Weilerstein has appeared at major music festivals throughout the world, including Aspen, Bad Kissingen, Delft, Edinburgh, Jerusalem Chamber Music, La Jolla SummerFest, Mostly Mozart, Salzburg, Schleswig-Holstein, Tanglewood, and Verbier. In addition to her appearances as a soloist and recitalist, Weilerstein performs regularly as a chamber musician. She has been part of a core group of musicians at the Spoleto Festival USA for the past eight years and also performs with her parents, Donald and Vivian Hornik Weilerstein, as the Weilerstein Trio, the trio-in-residence at Boston’s New England Conservatory.
The cellist is the winner of both Lincoln Center’s 2008 Martin E. Segal prize for exceptional achievement and the 2006 Leonard Bernstein Award. She received an Avery Fisher Career Grant in 2000 and was selected for two prestigious young artists programs in the 2000-01 season: the ECHO (European Concert Hall Organization) “Rising Stars” recital series and the Chamber Music Society of Lincoln Center’s Chamber Music Society Two.
Born in 1982, Weilerstein discovered her love for the cello at just two and a half, when her grandmother assembled a makeshift set of instruments from cereal boxes to entertain her while she was ill with chicken pox. Although immediately drawn to the Rice Krispies box cello, Weilerstein soon grew frustrated that it didn’t produce any sound. After persuading her parents to buy her a real cello at the age of four, she developed a natural affinity for the instrument and gave her first public performance six months later. At 13, in October 1995, she played Tchaikovsky’s “Rococo” Variations for her Cleveland Orchestra debut, and in March 1997 she made her first Carnegie Hall appearance with the New York Youth Symphony. A graduate of the Young Artist Program at the Cleveland Institute of Music, where she studied with Richard Weiss, the cellist also holds a degree in history from Columbia University, from which she graduated in May 2004. In November 2008, Weilerstein, who was diagnosed with type 1 diabetes when she was nine, became a Celebrity Advocate for the Juvenile Diabetes Research Foundation.
Photo: Decca/Harald Hoffman
Need help planning your visit to the Vail Valley? We've got you covered- from travel recommendations, to lodging and dining options, we want your entire visit to be top notch.Learn More
Where are the performances held?
Bravo! Vail orchestral concerts take place at Gerald R. Ford Amphitheater (GRFA) located at 530 S. Frontage Rd E Vail, CO 81657
What time do performances begin?
Concerts generally start promptly at 6pm (except for movie screenings which start at 7:30 or 8pm). The GRFA lobby opens 90 minutes prior to performances and gates open 60 minutes prior to performances. Please be sure to give yourself plenty of time to park and get into the venue; latecomers will be admitted at an appropriate interval, escorted by volunteers from the Bravo! Vail Guild.
How long do concerts last?
Concerts generally last under two hours. Please check performance pages beginning in April for specific running times.
How do I buy tickets?
Tickets, subscriptions, passes,and gift certificates may be ordered in the following ways:
• Phone 877.812.5700 or Fax 970.827.5707
• Mail or in-person Bravo! Vail 2271 N Frontage Rd W Suite C, Vail, CO 81657
• Email email@example.com
Ticket delivery methods are Mail, Print at Home, and Will Call. Bravo! Vail accepts all major credit cards (Amex, Visa, MasterCard and Discover), cash, and checks with proper identification. There is a $2 order fee per ticket.
What are the Box Office hours?
Bravo! Vail Box Office hours are Monday through Friday from 9am to 4pm. During the Festival hours include Saturday & Sunday from 10am to 4pm. The Bravo! Vail Box Office can be reached at 877.812.5700.
The Gerald R. Ford Amphitheater box office is open from 11am until concert start time (5pm on days with no concerts) beginning mid-June. Tickets for upcoming performances may be purchased on-site during concert intermissions.
Where is the Will Call window?
Will Call tickets may be picked up at the Box Office located to the right of the main entrance lobby. The Box Office is open 11am to concert start time beginning mid-June. Will Call tickets may also be picked up during concert intermissions.
Does Bravo! Vail offer group pricing?
Group sales discounts of up to 15% for groups of 15 or more are available to select concerts. Please call 970.827.4316 for more information, or view the Group Sales page.
What if I buy tickets and cannot attend?
All sales are final. If you are unable to attend your concert, please call the Box Office at 877.812.5700 at least two hours prior to the concert to donate the tickets for resale or drop them off at the venue so seats can be filled by another music lover. You will receive a ticket release receipt in the mail. If you wish to give tickets to a friend, you may call the Box Office to leave them in your friend's name at Will Call.
What if I misplace or forget to bring my tickets?
The Box Office can reprint your tickets if needed.
Where are seating options for people with disabilities?
Per the American Disability Act (ADA), the Gerald R. Ford Amphitheater is accessible to individuals with disabilities. ADA seating is available in Section 1 Row L and Section 4 Row O Premium Aisle, Premium, Reserved, and Saver sections which reflect all reserved seating zones and prices.
A limited number of ADA General Admission Lawn seats are available for sale behind Section 2; you must have a designated ADA lawn seat ticket in order to sit in this area.
By purchasing an ADA seat, you are stating that you require an ADA seat and if purchased fraudulently, you may be subject to relocation.
If you need further assistance purchasing ADA seating, please call the Box Office at 877.812.5700.
What should I bring to the concert?
If you have lawn seating at Gerald R. Ford Amphitheater, you should plan to bring a blanket to sit on, sunglasses, and a hat or visor. Lawn chairs with legs under 4 inches tall are allowed. Vail weather can be unpredictable so rain gear and a jacket are recommended. Concessions are available at Gerald R. Ford Amphitheater, but you are welcome to bring food and non-alcoholic sealed drinks. Per Colorado State Law, you may not bring outside alcoholic beverages into any Bravo! Vail venue. For your safety and the safety of all of our guests, backpacks, bags, purses, picnic baskets, and coolers will be checked upon entry to Gerald R. Ford Amphitheater. The following articles are not allowed:
• Alcoholic beverages (picnics and commercially sealed non-alcoholic beverages are permitted, and concessions with food and alcohol sales are available at the venue)
• Bikes, inline skates, scooters, and skateboards
• Cameras and recording devices
• Lawn chairs with legs higher than 4 inches (lawn chair rentals are $10)
What food and beverages are available for purchase at GRFA?
Popcorn, candy, burgers, sandwiches, and salads are available for purchase at concessions inside GRFA. A full bar is also available to purchase beer, wine, and alcohol. All major credit cards and cash are accepted for payment. In the pavilion seating, we recommend eating prior to the concert or at intermission.
Food and commercially sealed non-alcoholic beverages may be brought into the GRFA.
What if it rains?
Concerts take place rain or shine. GRFA is an open-air venue. Refunds are not given due to weather unless a concert is canceled in its entirety with no performance rescheduled.
What should I wear?
There is no dress code for concerts — wear what makes you most comfortable! You can dress formally, or opt for jeans and a t-shirt, or anything in between. Just one word of advice: while the summers in Colorado are perfect, the evenings often bring rain showers and cooler temps. We recommend being prepared for both.
What if I lose something at the concert?
Check with the GRFA box office for lost items at intermission or call 970.748.8497.
What are some general rules of concert etiquette?
Above all, we want you to have a beautiful, musically rich concert experience. We ask that all concertgoers help to ensure a mutually enjoyable evening by silencing all devices such as cell phones and watch alarms. Please take time to turn these off prior to performances, so they don’t disrupt musicians and other patrons. Likewise, please limit conversations and other noisy activities during the music, so everyone can enjoy the concert undisturbed. In the pavilion seating, we recommend eating prior to the concert or at intermission.
What else should I know?
Vail is at high elevation so don’t forget to hydrate and use sun protection. Visitors from lower elevations may experience altitude sickness when traveling to and visiting Vail. Be sure to drink water to allow your body to acclimate to the change in oxygen levels.
What if I still have questions?
Please don’t hesitate to contact the Box Office at 877.812.5700 Monday–Friday 9am–4pm MST with any questions you have.