Dover Quartet, string quartet

Named one of the greatest string quartets of the last 100 years by BBC Music Magazine, the GRAMMY® nominated Dover Quartet has followed a “practically meteoric” (Strings) trajectory to become one of the most in-demand chamber ensembles in the world. In addition to its faculty role as the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music, the Dover Quartet holds residencies with the Kennedy Center, Bienen School of Music at Northwestern University, Artosphere, and the Amelia Island Chamber Music Festival. The group’s awards include a stunning sweep of all prizes at the 2013 Banff International String Quartet Competition, grand and first prizes at the Fischoff Chamber Music Competition, and prizes at the Wigmore Hall International String Quartet Competition. Its prestigious honors include the Avery Fisher Career Grant, Chamber Music America’s Cleveland Quartet Award, and Lincoln Center’s Hunt Family Award.

The Dover Quartet’s active 2021–22 season includes world premiere performances of Marc Neikrug’s Piano Quintet No. 2 at the Kennedy Center with Haochen Zhang, Chris Rogerson’s Dream Sequence for Santa Fe Pro Musica with Anne-Marie McDermott, and Steven Mackey’s theatrical musical work Memoir at Artosphere with arx duo and narrator Natalie Christa. Other artist collaborations include performances with the Escher String Quartet, Bridget Kibbey, the Pavel Haas Quartet, and Davóne Tines. The quartet has also recently collaborated with artists such as Emanuel Ax, Inon Barnaton, Ray Chen, Edgar Meyer, Anthony McGill, the late Peter Serkin, and Roomful of Teeth. 

During the 2020–21 season, the Dover Quartet presented more than 25 virtual concerts, recorded and produced at the Curtis Institute of Music. The virtual concerts were presented to audiences across the globe, including the quartet’s first-ever tour to Latin America, which was conducted virtually. Beyond performances, the charming documentary film Strings Attached: On the Road with the Dover Quartet, has delighted audiences since its release in summer 2020. 

Cedille Records released the second of three volumes of the quartet’s recording of the Beethoven Complete String Quartets in October 2021. Strad described the highly acclaimed recordings as “meticulously balanced, technically clean-as-a-whistle and intonationally immaculate.” Their recording of Encores was also released in 2021 on the Brooklyn Classical label. The quartet’s GRAMMY® nominated recording of The Schumann Quartets was released by Azica Records in 2019. Cedille Records released the Dover Quartet’s Voices of Defiance: 1943, 1944, 1945 in October 2017; and an all-Mozart debut recording in the 2016–17 season, featuring the late Michael Tree, violist of the Guarneri Quartet. Voices of Defiance, which explores works written during World War II by Viktor Ullman, Dmitri Shostakovich, and Simon Laks, was lauded upon its release as “undoubtedly one of the most compelling discs released this year” (Wall Street Journal). 

The Dover Quartet draws from the lineage of the distinguished Guarneri, Cleveland, and Vermeer quartets. Its members studied at the Curtis Institute of Music and Rice University’s Shepherd School of Music, where they were mentored extensively by Shmuel Ashkenasi, James Dunham, Norman Fischer, Kenneth Goldsmith, Joseph Silverstein, Arnold Steinhardt, Michael Tree, and Peter Wiley. It was at Curtis that the Dover Quartet formed, and its name pays tribute to Dover Beach by fellow Curtis alumnus Samuel Barber.

The Dover Quartet is the Penelope P. Watkins Ensemble in Residence at Curtis. Their faculty residency integrates teaching and mentorship, a robust international performance career, and a cutting-edge digital presence. With this innovative residency, Curtis reinvigorates its tradition of maintaining a top professional string quartet on its faculty, while providing resources for the ensemble to experiment with new technologies and engage audiences through digital means. Working closely with students in the Nina von Maltzahn String Quartet Program, the resident ensemble will recruit the most promising young string quartets and foster their development in order to nurture a new generation of leading professional chamber ensembles. 

The Dover Quartet plays on the following instruments and proudly endorses Thomastik-Infeld strings.

Joel Link plays a very fine Peter Guarneri of Mantua violin kindly loaned to him by Irene R. Miller through the Beare’s International Violin Society.
Bryan Lee: Riccardo Antoniazzi, Milan 1904; Samuel Zygmuntowicz, Brooklyn, 2020
Milena Pajaro-van de Stadt: unknown maker from the Brescian School, early 18th century
Camden Shaw: Frank Ravatin, France, 2010

Anne-Marie McDermott, piano

Pianist Anne-Marie McDermott is a consummate artist who balances a versatile career as a soloist and collaborator. She performs over 100 concerts a year in a combination of solo recitals, concerti and chamber music. Her repertoire choices are eclectic, spanning from Bach and Haydn to Prokofiev and Scriabin to Kernis, Hartke, Tower and Wuorinen.

With over 50 concerti in her repertoire, Ms. McDermott has performed with many leading orchestra including the New York Philharmonic, Minnesota Orchestra, Dallas Symphony, Columbus Symphony, Seattle Symphony, National Symphony, Houston Symphony, Colorado Symphony, Pittsburgh Symphony, St. Louis Symphony, Atlanta Symphony, Los Angeles Chamber Orchestra, Moscow Virtuosi,  Hong Kong Philharmonic, San Diego Symphony, New Jersey Symphony and Baltimore Symphony among others. Ms, McDermott has toured with the Australian Chamber Orchestra and the Moscow Virtuosi.

In the recent seasons, Ms. McDermott performed with the Philadelphia Orchestra, Buffalo Philharmonic, North Carolina Symphony, Charlotte Symphony, Huntsville Symphony, Alabama Symphony, San Diego Symphony, the Oregon Mozart Players, and  the New Century Chamber Orchestra.

Recital engagements have included the 92nd Street Y, Alice Tully Hall, Town Hall,  The Schubert Club, Kennedy Center, as well as universities across the country. Anne-Marie McDermott has curated and performed in a number of intense projects including: the Complete Prokofiev Piano Sonatas and Chamber Music, a Three Concert Series of Shostakovich Chamber Music, as well as a recital series of Haydn and Beethoven Piano Sonatas. Most recently, she commissioned works of Charles Wuorinen and Clarice Assad  which were premiered in May 2009 at Town Hall, in conjunction with Bach’s Goldberg Variations.

As a soloist, Ms. McDermott has recorded the complete Prokofiev Piano Sonatas, Bach English Suites and Partitas (which was named Gramophone Magazine’s Editor’s Choice), and most recently, Gershwin Complete Works for Piano and Orchestra with the Dallas Symphony and Justin Brown.

In addition to her many achievements, Anne-Marie McDermott has been named the Artistic Director of the famed Bravo! Vail Music Festival in Colorado, which hosts the New York Philharmonic, the Philadelphia Orchestra and the Dallas Symphony  in addition to presenting over 40 chamber music concerts throughout the summer.  She is also Artistic Director of Santa Fe Pro Musica, The Ocean Reef Chamber Music Festival, McKnight Chamber Music Festival, and The Avila Chamber Music Celebration in Curacao.

As a chamber music performer, Anne-Marie McDermott was named an artist member of the Chamber Music Society of Lincoln Center in 1995 and performs and tours extensively with CMS each season. She continues a long standing collaboration with the highly acclaimed violinist, Nadja Salerno Sonnenberg.  As a duo, they have released a CD titled “Live” on the NSS label and plan to release the Complete Brahms Violin and Piano Sonatas in the future. Ms. McDermott is also a member of the renowned piano quartet, Opus One, with colleagues Ida Kavafian, Steven Tenenbom and Peter Wiley.

She continues to perform each season with her sisters, Maureen McDermott and Kerry McDermott in the McDermott Trio. Ms, McDermott  has also released an all Schumann  CD with violist, Paul Neubauer, as well as the Complete Chamber Music of Debussy with the Chamber Music Society of Lincoln Center.

Ms. McDermott studied at the Manhattan School of Music with Dalmo Carra, Constance Keene and John Browning. She was a winner of the Young Concert Artists auditions and was awarded an Avery Fisher Career Grant.

Ms. McDermott regularly performs at Festivals across the United States including, Spoleto, Mainly Mozart, Sante Fe, La Jolla Summerfest, Mostly Mozart, Newport, Caramoor, Bravo, Chamber Music Northwest, Aspen, Music from Angelfire, and the Festival Casals in Puerto Rico, among others.