Pure Russian romance awaits with Rachmaninoff’s Rhapsody on a Theme of Paganini that received instant, thunderous acclaim while Tchaikovsky’s Pathétique lives on as one of the composer’s most cherished creations.
$45-$122
$29
Gerald R. Ford Amphitheater
Friday
6:00 PM
This performance has been canceled.
Stéphane Denève, conductor
Behzod Abduraimov, piano
RACHMANINOFF: Rhapsody on a Theme of Paganini
TCHAIKOVSKY: Symphony No. 6, Pathétique
RACHMANINOFF: Rhapsody on a Theme of Paganini
TCHAIKOVSKY: Symphony No. 6, Pathétique
RACHMANINOFF: Rhapsody on a Theme of Paganini
Pure Russian romance awaits with Rachmaninoff’s Rhapsody on a Theme of Paganini that received instant, thunderous acclaim while Tchaikovsky’s Pathétique lives on as one of the composer’s most cherished creations.
TCHAIKOVSKY: Symphony No. 6, Pathétique
Pure Russian romance awaits with Rachmaninoff’s Rhapsody on a Theme of Paganini that received instant, thunderous acclaim while Tchaikovsky’s Pathétique lives on as one of the composer’s most cherished creations.
Stéphane Denève is Music Director of the Brussels Philharmonic and the St. Louis Symphony Orchestra, former Principal Guest Conductor of The Philadelphia Orchestra, and Director of the Centre for Future Orchestral Repertoire (CffOR).
Behzod Abduraimov performs with leading orchestras worldwide collaborating with Valery Gergiev, Vladimir Ashkenazy, Lorenzo Viotti, James Gaffigan, Jakub Hrůša, Santtu-Matias Rouvali and Gustavo Dudamel, among others.
Stéphane Denève is Music Director of the Brussels Philharmonic and the St. Louis Symphony Orchestra, former Principal Guest Conductor of The Philadelphia Orchestra, and Director of the Centre for Future Orchestral Repertoire (CffOR). He has previously served as Chief Conductor of Stuttgart Radio Symphony Orchestra (SWR) and Music Director of the Royal Scottish National Orchestra.
Recognized internationally for the exceptional quality of his performances and programming, he regularly appears at major concert venues with the world’s greatest orchestras and soloists. He has a special affinity for the music of his native France, and is a passionate advocate for music of the 21st century.
Recent engagements include appearances with the Royal Concertgebouw Orchestra, Orchestra Sinfonica dell’Accademia Nazionale di Santa Cecilia, Vienna Symphony, DSO Berlin, NHK Symphony, Munich Philharmonic, Orchestre National de France, Czech Philharmonic, and Rotterdam Philharmonic. In North America he made his Carnegie Hall debut in 2012 with the Boston Symphony Orchestra, with whom he has appeared several times both in Boston and at Tanglewood, and he regularly conducts The Cleveland Orchestra, New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony and Toronto Symphony. He is also a popular guest at many of the US summer music festivals, including Bravo! Vail, Saratoga Performing Arts Center, Hollywood Bowl, Blossom Music Festival, Festival Napa Valley, Grand Teton Music Festival, and Music Academy of the West.
He enjoys close relationships with many of the world’s leading solo artists, including Jean-Yves Thibaudet, Yo-Yo Ma, Nikolaj Znaider, James Ehnes, Leif Ove Andsnes, Leonidas Kavakos, Nicholas Angelich, Lang Lang, Frank Peter Zimmermann, Gil Shaham, Emanuel Ax, Renaud and Gautier Capuçon, Lars Vogt, Nikolai Lugansky, Paul Lewis, Joshua Bell, Hilary Hahn, and Augustin Hadelich.
In the field of opera, Stéphane Denève led a new production of Pelléas et Mélisande with the Netherlands Opera at the 2019 Holland Festival. Elsewhere, he has led productions at the Royal Opera House, Glyndebourne Festival, La Scala, Deutsche Oper Berlin, Saito Kinen Festival, Gran Teatro de Liceu, La Monnaie, Deutsche Oper Am Rhein, and at the Opéra National de Paris.
As a recording artist, he has won critical acclaim for his recordings of the works of Poulenc, Debussy, Ravel, Roussel, Franck and Connesson. He is a triple winner of the Diapason d’Or of the Year, has been shortlisted for Gramophone’s Artist of the Year Award, and has won the prize for symphonic music at the International Classical Music Awards. His most recent releases include a live recording of Honegger’s Jeanne d’arc au bûcher with the Royal Concertgebouw Orchestra, and two discs of the works of Guillaume Connesson with the Brussels Philharmonic (the first of which was awarded the Diapason d’Or de l’année, Caecilia Award, and Classica Magazine’s CHOC of the Year).
A graduate and prize-winner of the Paris Conservatoire, Stéphane Denève worked closely in his early career with Sir Georg Solti, Georges Prêtre and Seiji Ozawa. A gifted communicator and educator, he is committed to inspiring the next generation of musicians and listeners, and has worked regularly with young people in programs such as those of the Tanglewood Music Center, New World Symphony, the Colburn School, the European Union Youth Orchestra, and the Music Academy of the West.
Behzod Abduraimov performs with leading orchestras worldwide collaborating with Valery Gergiev, Vladimir Ashkenazy, Lorenzo Viotti, James Gaffigan, Jakub Hrůša, Santtu-Matias Rouvali and Gustavo Dudamel, among others. He maintains a relationship with the English Chamber Orchestra, where he has conducted Mozart and Beethoven from the piano. This season he returned to Carnegie Hall for a solo recital and to perform with the Münchner Philharmoniker under Maestro Gergiev. He is Artist-in-Residence with the Fundação Calouste Gulbenkian and at the International Center for Music at Park University. He and cellist Truls Mørk perform and record as a duo.
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