PLEASE NOTE THE PROGRAM CHANGE
World renowned violinist Anne-Sophie Mutter joins her cherished European colleagues to perform Mozart’s beloved Violin Concertos.
$44 - $109
$5 - $29
Gerald R. Ford Amphitheater
Sunday
06:00 PM
CHAMBER ORCHESTRA VIENNA – BERLIN
ANNE-SOPHIE MUTTER, VIOLIN
MOZART: Violin Concerto No. 2
MOZART: Violin Concerto No. 3
MOZART: Violin Concerto No. 5, Turkish
MOZART: Violin Concerto No. 2
MOZART: Violin Concerto No. 3
MOZART: Violin Concerto No. 5, Turkish
MOZART: Violin Concerto No. 2
MOZART: Violin Concerto No. 3
Violin Concerto No. 3 in G major, K. 216 (1775)
WOLFGANG AMADEUS MOZART (1756-1791)
The opening movement of the G major Concerto is one of Mozart’s perfectly balanced sonata-concerto forms. The orchestral introduction presents at least four thematic kernels: the bold opening gesture; a mock fanfare; a subsidiary melody with long notes in the woodwinds; and a motive with quick, flashing notes in the violins. The soloist enters with the bold opening gesture, and continues with elaborations upon the themes from the introduction. The development is largely based on the subsidiary theme decorated with some rapid figurations from the soloist. A recitative-like passage links this central section to the recapitulation, which, with the exception of the cadenza, follows the progress of the exposition. The Adagio proceeds in sonata form with an exquisite grace and refined elegance that no composer has ever surpassed. The finale is an effervescent rondo which Mozart said was based on a musette tune from Strassburg.
MOZART: Violin Concerto No. 5, Turkish
Violin Concerto No. 5 in A major, K. 219, “Turkish” (1775)
WOLFGANG AMADEUS MOZART (1756-1791)
The first movement of the Violin Concerto No. 5 is in conventional concerto form but has some curious structural experiments more associated with the music of Haydn than with that of Mozart. After the initial presentation of the thematic material by the orchestra, the soloist is introduced with the surprising device of a brief, stately Adagio. When the Allegro tempo resumes, the soloist plays not the main theme already announced by the ensemble, but a new lyrical melody for which the original main theme becomes the accompaniment. More new material fills the remainder of the exposition. The development is invested with passages of dark harmonic color that cast expressive shadows across the movement’s generally sunny landscape. The recapitulation calls for restrained, elegant virtuosity from the soloist. The second movement is a graceful song in sonatina form (sonata without development section). The finale is a rondo in the style of a minuet whose themes are in the style of Hungarian folk music, known, vaguely, as “Turkish” in the 18th century.
The Vienna and Berlin Philharmonic Orchestras stand as two fundamental pillars of orchestral excellence. Despite sharing decade-long collaborations with esteemed conductors Wilhelm Furtwängler, Herbert von Karajan, and Claudio Abbado, audiences and critics alike acknowledge their contrasting identities.
Anne-Sophie Mutter is a musical phenomenon: for more than 40 years the virtuoso has now been a fixture in all the world’s major concert halls, making her mark on the classical music scene as a soloist, mentor and visionary.
The Vienna and Berlin Philharmonic Orchestras stand as two fundamental pillars of orchestral excellence. Despite sharing decade-long collaborations with esteemed conductors Wilhelm Furtwängler, Herbert von Karajan, and Claudio Abbado, audiences and critics alike acknowledge their contrasting identities. The noble Viennese are defined by smooth elegance and velvety strings; whereas, the captivating, passionate Berliners speak to the virtue of brilliant wind soloists. The sensation that is ‘Chamber Orchestra Vienna-Berlin’ emerged from Sir Simon Rattle’s dream for his 50th Birthday Celebration: to unite both orchestras on one stage for the first time. This concert of epic proportions uncovered a mutual ambition and ability to combine chamber-music-like delicacy with symphonic force. The ensemble, which represents the essence of both orchestras by putting forth their most renowned musicians, looks to create a unique creative exchange where refinement of technique, enormous flexibility, and specific beauty of sound result in exciting experiences for musicians and audiences alike. Since the formation of the ‘Chamber Orchestra Vienna –Berlin’ in 2012, the ensemble has toured across Europe and Asia with featured soloists Yefim Bronfman, Anne-Sophie Mutter, Jonas Kaufmann, Antoine Tamestit, Gautier Capucon, Gabor Boldoczki, Denis Matsuev, Yuja Wang, and Daniel Müller-Schott. Rainer Honeck (concert master of the Orchestra of the Vienna State Opera since 1984 and concert master of the Vienna Philharmonic Orchestra since 1992) acts as primarius and Artistic Director of the Orchestra.
Photo: Philipp Horak
Anne-Sophie Mutter is a musical phenomenon: for more than 40 years the virtuoso has now been a fixture in all the world’s major concert halls, making her mark on the classical music scene as a soloist, mentor and visionary.
The four-time Grammy® Award winner is equally committed to the performance of traditional composers as to the future of music: so far she has given world premieres of 27 works – Unsuk Chin, Sebastian Currier, Henri Dutilleux, Sofia Gubaidulina, Witold Lutoslawski, Norbert Moret, Krzysztof Penderecki, Sir André Previn, Wolfgang Rihm and John Williams have all composed for Anne-Sophie Mutter. Furthermore, she dedicates herself to numerous benefit projects and to supporting tomorrow’s musical elite: in the autumn of 1997 she founded the “Association of Friends of the Anne-Sophie Mutter Foundation e.V.”, to which the Anne-Sophie Mutter Foundation was added in 2008. These two charitable institutions provide support for the scholarship recipients, support which is tailored to the fellows’ individual needs. Since 2011, Anne-Sophie Mutter has regularly shared the spotlight on stage with her ensemble of fellows, “Mutter’s Virtuosi”.
CONCERTS IN 2019
Anne-Sophie Mutter’s 2019 concert calendar features performances in Asia, Europe, North and South America, once again reflecting the violinist’s musical versatility and her unparalleled prominence in the world of classical music: in March she will perform the world premieres of Unsuk Chin’s Gran Cadenza for Two Violins and Sebastian Currier’s Ghost Trio at Carnegie Hall. In Beijing, she will give the world premiere of Jörg Widmann’s String Quartet – just like the two above-mentioned works, this was commissioned by her and is dedicated to the violinist. In September she will perform for the first time in her career as part of an open-air concert. Entitled “Across the Stars”, this event features some of the most outstanding works by John Williams, who has won several Oscars for his compositions, and takes place on Munich’s Königsplatz. Most of the works on this open-air programme are special arrangements made for Mutter. July sees the release of her CD recording of this new Williams repertoire, which has not been heard in this form anywhere else so far. Another thematic focus in 2019 are the violin concerti by Wolfgang Amadeus Mozart, which she performs throughout Europe and in the USA. In South America and in Europe, she appears with the West-Eastern Divan Orchestra and plays the Beethoven Triple Concerto with Daniel Barenboim and Yo-Yo Ma – an extraordinary cast. Together with “Mutter’s Virtuosi”, the ensemble of the Anne-Sophie Mutter Foundation, she performs for the first time in South America.
AWARDS
Poland awarded the Gloria Artis Gold Medal for Cultural Achievements to Anne-Sophie Mutter in March 2018, making her the first German artist to receive such an honour. In February 2018 she was named an Honorary Member of the Accademia Nazionale di Santa Cecilia. Romania awarded the Order of Cultural Merit in the rank of a Grand Officer to Anne-Sophie Mutter in November 2017; during the same month France honoured her by presenting her with the insignia of a Commander of the French Order of the Arts and Literature. In December 2016, the Spanish Ministry of Education, Culture and Sports awarded her the “Medalla de oro al Mérito en las Bellas Artes” (Gold Medal for Merits in the Fine Arts). In January 2015 Anne-Sophie Mutter was named an Honorary Fellow of Keble College at the University of Oxford. In October 2013 she became a Foreign Honorary Member of the American Academy of Arts and Sciences, after winning the medal of the Lutoslawski Society (Warsaw) in January. In 2012 the Atlantic Council bestowed the Distinguished Artistic Leadership Award upon her. In 2011 she received the Brahms Prize as well as the Erich Fromm Prize and the Gustav Adolf Prize for her social activism. In 2010 the Technical-Scientific University of Norway in Trondheim bestowed an honorary doctorate upon her; in 2009 she won the European St. Ulrich Award as well as the Cristobal Gabarron Award. In 2008 Anne-Sophie Mutter was the recipient of the International Ernst von Siemens Music Prize as well as the Leipzig Mendelssohn Prize. The violinist has been awarded the German Grand Order of Merit, the French Medal of the Legion of Honour, the Bavarian Order of Merit, the Decoration of Honour for Services to the Republic of Austria, and numerous other honors.
Translation: Alexa Nieschlag
Photo: Bastian Achard
Thursday, June 20 | 6:00PM
This historic residency opens with music by two of the most renowned and influential composers of all time. Haydn is a perfect showcase for smooth Viennese elegance and the captivating passion of the Berliners, while Bravo! Vail’s Artistic Director joins in the opening night celebration with a rollicking Piano Concerto by Mozart.
Saturday, June 22 | 6:00PM
This all-Mozart evening is a high-spirited showcase for the undisputed master of the Classical era, whose talents still astound and delight to this day. Performed with affection and exquisite artistry, this program shows off the smooth Viennese elegance when principal players take on solo roles.
Tuesday, July 9 | 6:00PM
Lauded by The New York Times for "making the most traditional of works feel radical once more," the Takács Quartet presents a compelling program featuring three essential cornerstones of the chamber music repertoire.
Where are the orchestra concert performances held?
Bravo! Vail orchestral concerts take place at Gerald R. Ford Amphitheater (GRFA) located at 530 S. Frontage Rd E Vail, CO 81657
What time do performances begin?
Concerts start promptly at 6:00PM (except for the movie screening which starts at 7:30PM). The GRFA lobby opens 90 minutes prior and gates open 60 minutes prior to performances. Give yourself plenty of time to park and get into the venue. Latecomers will be escorted by ushers at an appropriate interval.
Where do I park?
FREE concert parking is available at the Vail Parking Structure (241 South Frontage Road East, Vail) and the Lionshead Parking Structure (395 South Frontage Road West, Vail). A Town of Vail Special Event express bus provides continuous service from both parking structures to the GRFA before and after concerts. Limited $10 parking is available at Ford Park by the Tennis Center (500 South Frontage Rd). Additional $10 parking is available at the Vail Athletic/Soccer Field lot.
WALKING DIRECTIONS FROM THE VAIL VILLAGE PARKING STRUCTURE:
Via Gore Creek Trail: 15-minute scenic walk
1. Exit the parking garage by following the Pedestrian Exit signs towards “Vail Village” / “Golden Peak”
2. Turn left out of the parking garage onto East Meadow Drive and head east
3. At the end of the road turn right on Vail Valley Drive and cross the road
4. Turn left on the walking path before the bridge, following the street signs towards "Ford Park"
5. Continuing east, follow the walking path along Gore Creek until reaching the GRFA
Via Frontage Road: 15-minute walk
1. From the top level of the parking garage, exit onto the South Frontage Road
2. Turn right and follow the sidewalk east along the south side of the frontage road
3. Cross East Meadow Drive and continue east along the sidewalk
4. Turn right after passing The Wren at Vail on the right
5. Continue down the path down to the GRFA
How long do concerts last?
Concerts generally last 2 hours including intermission. Please call the box office 877.812.5700 for exact running times.
How do I buy tickets?
Tickets, passes, and gift certificates may be ordered in the following ways:
1. Online: bravovail.org
2. By phone: 877.812.5700
3. In person: Bravo! Vail 2271 N Frontage Rd W Suite C, Vail, CO 81657
Bravo! Vail accepts American Express, Visa, MasterCard, and Discover credit cards, cash, and checks. There is a $2 fee per ticket. Tickets are delivered by mail or email,or may be picked up at the Box Office.
What are the Box Office hours?
Bravo! Vail Box Office hours are Monday-Friday from 9AM to 4PM. During the Festival, hours include Saturday & Sunday from 10AM to 4PM. The Bravo! Vail Box Office can be reached at 877.812.5700.
The Gerald R. Ford Amphitheater box office is open from 11AM until concert start time (5PM on days with no concerts) during the Festival. Tickets for upcoming performances may be purchased on-site at the GRFA before concerts and during intermission.
Where is the Will Call window?
Will Call tickets may be picked up at the Box Office located to the right of the main GRFA entrance lobby. The Box Office is open 11AM to concert start time during the Festival.
Does Bravo! Vail offer group pricing?
Discounts for groups of 15 or more are available for select concerts. Please call 970.827.4316 for more information.
What if I buy tickets and cannot attend?
Tickets are non-refundable and non-exchangeable. You may release your tickets or leave them for a friend at Will Call by calling the Box Office.
What if I misplace or forget to bring my tickets?
There is no charge to reprint tickets. Please call 877.812.5700 before 3PM on the day of the performance or allow extra time to request new tickets at the Will Call window.
Where are seating options for people with disabilities?
Per the American Disability Act (ADA), the Gerald R. Ford Amphitheater is accessible to individuals with disabilities. ADA seating is available in Section 1 Row L and Section 4 Row O in all reserved seating zones and prices (Premium Aisle, Premium, Reserved, and Saver). A limited number of ADA General Admission Lawn seats are available for sale behind Section 2. You must have a designated ADA lawn seat ticket to sit in this area. By purchasing an ADA seat, you are stating that you require an ADA seat. If purchased fraudulently, you may be subject to relocation. If you need assistance purchasing ADA seating, please call the Box Office at 877.812.5700.
What if it rains?
Concerts take place rain or shine. The GRFA is an open-air venue. Refunds are not given due to weather unless a concert is canceled in its entirety with no performance rescheduled.
What should I wear?
There is no dress code for concerts. Please be prepared for rain and cooler temperatures.
What should I bring to the concert?
If you will be on the lawn, a blanket, sunglasses, and a hat are recommended. If rain is predicted, please bring appropriate rain gear. Food, commercially sealed non-alcoholic beverages, low-profile lawn chairs, and umbrellas are permitted at concerts. All backpacks, bags, purses, picnic baskets, and coolers will be checked upon entry.
The following articles are not allowed at the venue: cameras, audio/video recording devices, standard-height lawn chairs, baby strollers, alcoholic beverages, firearms, pets, smoking, skateboards, bicycles, scooters, and skates.
What food and beverages are available for purchase at the GRFA?
Concessions are offered for purchase inside the venue. Menu items include snacks, burgers, sandwiches, and salads. A full bar is also available. All major credit cards and cash are accepted for payment. If you have a pavilion seat, please eat prior to the concert or at intermission.
Are lawn chairs available to rent?
Low-profile lawn chairs are available at the GRFA to rent for $10. You may also rent a lawn chair with your lawn ticket purchase online or by calling the Bravo! Vail Box Office at 877.812.5700. To reserve a lawn chair in advance, please email ticketing@bravovail.org
What are some general rules of concert etiquette?
Please allow time for parking and seating. Concert attendees must silence all mobile devices prior to performances to not disrupt musicians and other patrons. Please limit conversations and other noisy activities during the performance. In the pavilion seating, we recommend eating prior to the concert or at intermission. Parental supervision is required for all children attending Bravo! Vail concerts.
What else should I know?
Vail’s high elevation requires adequate hydration and sun protection. Visitors from lower elevations may experience altitude sickness.
What if I lose something at the concert?
Check with the GRFA box office for lost items at intermission or call 970.748.8497.
What if I still have questions?
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