Bramwell Tovey, conductor

Grammy and Juno award-winning conductor and composer Bramwell Tovey has most recently added the title of Artistic Director of Calgary Opera Company to his role as Principal Conductor of the BBC Concert Orchestra and Artistic Advisor to the Rhode Island Philharmonic.

Following an exceptional 18-year tenure as Music Director of the Vancouver Symphony, which concluded in summer 2018, he now returns as the orchestra’s Music Director Emeritus. Under his leadership the VSO toured China, Korea, across Canada and the United States. His VSO innovations included the establishment of the VSO School of Music, the VSO’s annual festival of contemporary music and the VSO Orchestral Institute at Whistler, a comprehensive summer orchestral training program for young musicians held in the scenic mountain resort of Whistler in British Columbia.

During 2019/2020 season he returns to the Philadelphia Orchestra for their Christmas concerts and New Year’s Eve Gala as well as the New York Philharmonic’s Parks Concerts in summer 2020. In addition to monthly appearances in London his guest conducting will take him to Scandinavia, San Diego and Sarasota.

In 2003 Bramwell Tovey won the Juno Award for Best Classical Composition for his choral and brass work Requiem for a Charred Skull. His song cycle, Ancestral Voices, which addresses the issue of Reconciliation, was written for acclaimed Kwagiulth mezzo-soprano Marion Newman and premiered in June 2017. His trumpet concerto, Songs of the Paradise Saloon, was commissioned by the Toronto Symphony for principal trumpet, Andrew McCandless and performed in 2014 by Alison Balsom with the LA Philharmonic, the Philadelphia and the London Philharmonic Orchestras. A recording of his opera, The Inventor, commissioned by Calgary Opera, features the original cast, members of UBC Opera and the VSO.

Mr. Tovey was the recipient of the Oskar Morawetz 2015 Prize for Excellence in Music Performance. He was previously Music Director of Orchestre Philharmonique du Luxembourg where he led the world premiere of Penderecki’s Eighth Symphony on the opening of the principality’s new concert hall, the Philharmonie. He won the Prix d’or of the Academie Lyrique Française for his recording of Jean Cras’ 1922 opera Polyphème with OPL and toured with the orchestra to China, Korea, the United States and throughout Europe.

In 2013 he was appointed an honorary Officer of the Order of Canada for services to music. Since 2006 he has been Artistic Director of the National Youth Brass Band of Great Britain.
9/2019

Photo: Epix Studios

J'Nai Bridges, Mezzo-Soprano

American mezzo-soprano J’Nai Bridges, known for her “rich, dark, exciting sound” (Opera News) is quickly becoming one of the most sought-after talents of her generation. 

In the 2016-17 season, J’Nai will make debuts at San Francisco Opera and Bavarian State Opera as Bersi in Andrea Chénier, at Los Angeles Opera as Nefertiti in Akhnaten, and at Vancouver Opera as Sister Helen Prejean in Jake Heggie’s Dead Man Walking. She will additionally be featured as a soloist at the Marilyn Horne Song Celebration at Zankel Hall at Carnegie Hall, at the Festival de Torroella de Montgrí, with the NDR Elbphilharmonie Orchestra, in Mahler’s Symphony No. 2 “Resurrection” with the Louisville Orchestra, and in Beethoven’s Symphony No. 9, both with the Philadelphia Orchestra and the Farewell to Christoph Eschenbach concert with the National Symphony Orchestra at the Kennedy Center.

J’Nai’s recent performances have included a return to Lyric Opera of Chicago to sing the role of Carmen in the world premiere of Bel Canto, an opera by Jimmy Lopez, based on the novel by Ann Patchett, the title role in The Rape of Lucretia at Wolf Trap Opera, Suzuki in Madama Butterfly with San Diego Opera and Wolf Trap Opera, the title role of Carmen with Finger Lakes Opera, and Adalgisa in Norma with Knoxville Opera.

Her numerous concert engagements have spanned Ravel’s Chansons Medécasses with Yo-Yo Ma and members of the Chicago Symphony Orchestra; the mezzo-soprano solo in Beethoven’s Symphony No. 9 with Gustavo Dudamel and the L.A. Philharmonic, the Simón Bolívar Symphony Orchestra of Venezuela in Berkeley, and in Caracas, Venezuela, and with the Oregon Symphony; as a featured soloist in the GRAMMY Salute to Music Legends tribute concert at the Dolby Theatre in Los Angeles; Ravel’s Shéhérezade with Esa-Pekka Salonen and the NDR Symphony Orchestra in Hamburg; selections from La clemenza di Tito, and works by Mozart and Schubert with the Civic Orchestra of Chicago; the role of Mademoiselle Dangeville in Cilea’s Adriana Lecouvreur with the Opera Orchestra of New York; the mezzo-soprano solo in Mahler’s Symphony No. 2 “Resurrection” with the Lexington Philharmonic; chamber works with the Chicago Symphony Orchestra at the Art Institute of Chicago; and other soloist engagements with the Apollo Chorus of Chicago, the New Jersey Symphonic Orchestra, as part of WFMT 98.7’s recital series, and with the Conservatory Project at The Kennedy Center.

In 2015, J’Nai completed a three-year residency with the distinguished Patrick G. and Shirley W. Ryan Opera Center at the Lyric Opera of Chicago. Highlights of her tenure at the Lyric include Inez in Il trovatore under the baton of Asher Fisch, Vlasta in Mieczysław Weinberg’s The Passenger conducted by Sir Andrew Davis, Flora in La traviata, and two student matinee performances of Rosina in Il barbiere di Siviglia. 

J’Nai demonstrated her versatile artistry providing vocals for the historic DVD documentary Bishop Richard Allen: Apostle of Freedom as well as at the 2009 Presidential Inauguration and Martin Luther King, Jr. Day as a member of Chorale Le Chateau. As a young artist with the Glimmerglass Music Festival, J’Nai covered Cherubino in Le nozze di Figaro, and Mrs. Jenks in Copland’s The Tender Land, and sang the title role in Carmen. Additional engagements while a resident artist at the Ryan Center include the title role in Act IV of Carmen for Stars of Lyric Opera, Dorabella in Act I of Così fan tutte for the Grant Park Music Festival, and appearances as a Flower maiden in Parsifal, the Second Wood Nymph in Rusalka, and the Second Maid in Elektra with Chicago Lyric Opera.

In 2015, J’Nai represented the United States at the prestigious Singer of the World Competition in Cardiff, Wales. Additionally, she was the recipient of a 2016 Richard Tucker Career Grant, a first prize winner at the 2016 Francisco Viñas International Competition, a first prize winner at the 2015 Gerda Lissner Competition, a recipient of the 2013 Sullivan Foundation Award, a 2012 Marian Anderson award winner, the recipient of the 2011 Sara Tucker Study Grant, the recipient of the 2009 Richard F. Gold Grant as the singer with a promising operatic career, and the winner of the 2008 Leontyne Price Foundation Competition. 

A native of Lakewood, Washington, J’Nai earned her Master of Music degree from the Curtis Institute of Music, where her operatic credits included Carolina Kirchstetten in Henze’s Elegy for Young Lovers, Idamante in Idomeneo, Carmen in Le tragedie de Carmen, Teresa in La sonnambula, Iras in Barber’s Antony and Cleopatra and Baba the Turk in The Rake’s Progress. While at Curtis, J’Nai also appeared as the Madrigalist in Puccini’s Manon Lescaut with the Opera Company of Philadelphia.

She received her Bachelor of Music degree in vocal performance from the Manhattan School of Music, where she appeared in the U.S. premiere of Xenakis’s Oresteia, conducted by Steven Osgood, and as Polly in Britten’s The Beggar’s Opera to rave reviews from The New York Times.

Photo: Columbia Artists Management