Soirée II
Alexander Kerr, violin & Anne-Marie McDermott, pianoImportant Ticketing Information
- Soirées may be reserved now by donors $10,000+ via phone, donor mailing form, or in-person until Wednesday April 15, 2026.
- Due to limited capacity, request does not guarantee placement at time of reservation.
- Donors will be seated according to donor benefit level and date reservation is received.
Program Highlights
Members of the Dallas Symphony Orchestra
Alexander Kerr, violin
Meredith Kufchak, viola
Theodore Harvey, cello
Anne-Marie McDermott, piano
DEBUSSY Sonata for Violin and Piano
FAURÉ Piano Quartet No. 1 in C minor
All artists, programs, and pricing subject to change.
Program Notes
Towards the end of his life, Debussy had planned to write a cycle of six
sonatas for various instruments, but only three were completed before
his death. The compact and exquisitely autumnal Violin Sonata was
the last of these, and the last work he ever completed. Written in 1917,
when the composer suffered from terminal cancer and Europe was plunged
into the devastation and hardships of World War I, Debussy’s music breaks free
into a transcendent world of vibrant rhythms, shimmering colors and poignant
nostalgia.
Amid the emotional excesses of nineteenth century Romanticism, Fauré’s
music tended toward pristine lines and classical elegance, at moments
anticipating the impressionism of Debussy and Ravel. His Piano Quartet No. 1
dates from 1879, soon after Fauré had visited Wagner and listened to his music.
Impressed though he was, he maintained his own distinct musical voice,
refreshingly and presciently modern.
Artist Biographies
Alexander Kerr
Meredith Kufchak
Theodore Harvey
Anne-Marie McDermott
Alexander Kerr
Alexander Kerr
Concertmaster
Michael L. Rosenberg Chair
Alexander Kerr’s expressive and charismatic style has made him one of the most accomplished and versatile violinists on the international music scene today. In 1996 at the age of 26, Mr. Kerr was appointed to the prestigious position of Concertmaster of the Royal Concertgebouw Orchestra in Amsterdam, the Netherlands. After nine successful years at that post, he left in June, 2006 to assume the endowed Linda and Jack Gill Chair in Music as Professor of Violin at the Indiana University Jacobs School of Music. In addition to his teaching responsibilities in Bloomington, he maintains a busy concert schedule appearing with orchestras and in recital and chamber music performances throughout the U.S., Asia and Europe. In 2008 he began his tenure as Principal Guest Concertmaster of the Indianapolis Symphony Orchestra and in September 2011, he assumed his role as Concertmaster of the Dallas Symphony Orchestra.
Meredith Kufchak
Meredith Kufchak
Principal Viola
Hortense & Lawrence S. Pollock Chair
Meredith Kufchak joined the Dallas Symphony Orchestra as principal viola in 2019. Prior to her move to Dallas, she spent one season as a member of the Pittsburgh Symphony Orchestra. Born into a talented musical family, Ms. Kufchak grew up in Columbus, Ohio as the youngest of six musicians. She completed her undergraduate studies in viola performance at Rice University, where she studied with Ivo-Jan van der Werff at the Shepherd School of Music. Ms. Kufchak received her master’s degree in chamber music performance from the San Francisco Conservatory of Music, where she studied with Jodi Levitz. Kufchak also holds an artist diploma from the San Francisco Academy Orchestra, where she studied with San Francisco Symphony violist Matthew Young. While living in the Bay Area, she held positions with the Fresno Philharmonic as principal viola, the Santa Rosa Symphony, and performed frequently with the San Francisco Symphony. Ms. Kufchak has made appearances at festivals including Yellow Barn, Sun Valley Music Festival, Olympic Music Festival, and Tanglewood Music Center.
Theodore Harvey
Theodore Harvey
Associate Principal Cello
Holly & Tom Mayer Chair
Theodore Harvey, cellist with the Dallas Symphony since September 2008, has performed as a soloist, chamber musician and orchestra member throughout North America, South America and Europe. He has been a soloist with the New World Symphony, the (Bloomington, Ind.) Camerata Orchestra and the Indianapolis Symphony Orchestra. As Assistant Principal Cellist of the Charlotte Symphony from 2004 to 2008 he frequently performed major orchestral solos and was also active as a chamber musician and as an organist in local churches. In February 2006 Mr. Harvey, with pianist Paul Nitsch, gave the world premiere of his own Sonata in D Minor for Cello and Piano, which was subsequently featured on the Charlotte area’s classical radio station WDAV. He performed the Walton concerto with the New World Youth Symphony Orchestra (of which he had been a member from 1987 to 1996) in Indianapolis in November 2012. In June 2022, with his brother, violinist William Harvey, he performed the Brahms Double in two concerts with the Orquesta Filarmónica de Jalisco in Guadalajara, Mexico, conducted by José Luís Castillo.
Mr. Harvey holds a bachelor’s degree from the Indiana University School of Music, from which he graduated with highest distinction in 2000, having studied with Janos Starker and Helga Winold. Following his senior recital, he received the Indiana University Performer’s Certificate. He completed graduate studies with Joel Krosnick at The Juilliard School in 2002. From 2002 to 2004, Mr. Harvey was a Fellow of the New World Symphony in Miami Beach, Florida.
Summer festivals in which Mr. Harvey has participated include Aspen, Sarasota, Schleswig-Holstein, Spoleto USA, Tanglewood, Verbier, Music in the Mountains, Tafelmusik Baroque Summer Institute (Toronto), International Baroque Institute at Longy and Britt. In May/June 2013 he toured Brazil with the Baroque ensemble Fantasmi, performing in São Paulo and Belém.
In August 2013 he taught cello for a week at the Afghanistan National Institute of Music in Kabul, where his brother William taught violin from 2010 to 2014, and performed a concert there of both Afghan and European music.
In Dallas, Mr. Harvey sang for nine years in the choir of the Church of the Incarnation and twice toured England with the choir, singing at Lichfield and Canterbury cathedrals, Westminster Abbey and St George’s Chapel (Windsor Castle). An avid student of the history of Europe and its royal families, in his spare time he maintains the website www.royaltymonarchy.com. In October 2017, Mr. Harvey was invested as an Honorary Knight of the Royal House of Portugal by HRH the Duke of Braganza.
Anne-Marie McDermott
Photo Credit: Sophie Zhai
Anne-Marie McDermott
Pianist
One of the most dazzling American pianists of her generation, Anne-Marie McDermott has played concertos, recitals, and chamber music in hundreds of cities throughout the United States, Europe, and Asia. She is one of the most versatile, respected, and best-reviewed pianists of our time. McDermott continues her tenure as music and artistic director of the Bravo! Vail Music Festival, in Colorado, through 2026, which hosts world-renowned artists and orchestras. She is also the artistic director of the Ocean Reef Chamber Music Festival, in Florida; the artistic director of the McKnight Center’s Chamber Music Festival, at Oklahoma State University; and a former curator of the Mainly Mozart Spotlight Series, in San Diego.
Highlights of McDermott’s 2025-26 season include a Chamber Music Society of Lincoln Center tour of the United States, including Alice Tully Hall; Vancouver Symphony Orchestra, performing Beethoven’s Piano Concerto No. 2 and No. 4, with music director Otto Tausk; a performance with violinist Richard Lin at Rose Studio, with music by Mozart, Brahms, Fauré, and Paul Schoenfield; a tour of Spain and Portugal; Sociedad Filarmónica de Lima, Peru; Saint Paul Chamber Orchestra; and North Carolina Symphony, performing Beethoven’s Piano Concerto No. 5, “Emperor,” with music director Carlos Miguel Prieto.
Last season McDermott performed Amy Beach’s Piano Concerto with the Dallas Symphony Orchestra and with the Springfield Symphony Orchestra (MA); performed Beethoven’s Piano Concerto No. 4 with the Paducah Symphony Orchestra (KY); Beethoven’s Piano Concerto No. 1 with the Des Moines Symphony and Palm Beach Symphony; with the Chamber Music Society of Lincoln Center at Alice Tully Hall in New York City, and on tour in Chicago, Grand Rapids, Kansas City, Ashland (OR), and Vienna (VA). She also appeared in a special chamber music program at the New World Symphony, in Miami Beach, that included Messiaen’s wartime masterwork Quartet for the End of Time; performed as a member of the SPA Trio — with soprano Susanna Phillips and violist Paul Neubauer — at the Rockefeller University, and at Arizona Friends of Chamber Music; and in a chamber music program at the McKnight Center for the Performing Arts, in Stillwater (OK).
In previous seasons McDermott has performed with the Los Angeles Chamber Orchestra and the St. Paul Chamber Orchestra, both resulting in immediate re-engagements. She also performed Mozart with the New York Philharmonic at the McKnight Center in Stillwater. Other international highlights include recitals in France at the famed Piano aux Jacobins, in Toulouse; performances with the São Paulo Symphony Orchestra at the Cartagena International Music Festival; and an all-Haydn recital tour of China.
The breadth of McDermott’s repertoire ranges from Bach, Haydn, and Beethoven to Rachmaninoff, Prokofiev, and Scriabin, also including works by today’s most influential composers. McDermott is currently recording the complete Beethoven piano concertos with Mexico City’s illustrious Sinfónica de Minería, under conductor Carlos Miguel Prieto. She has also recorded the complete piano sonatas of Prokofiev, solo works by Chopin, Bach’s English Suites and Partitas (Editor’s Choice, Gramophone Magazine), and Gershwin’s complete works for piano and orchestra with the Dallas Symphony Orchestra (also Editor’s Choice, Gramophone Magazine). She released an album of Mozart concertos with the Calder Quartet that was praised as “exceptional on every count” by Gramophone Magazine. She has recorded five Haydn piano sonatas and two Haydn concertos with the Odense Philharmonic, in Denmark, including two cadenzas written by the late American composer Charles Wuorinen.
In recent years, McDermott participated in the New Century Chamber Orchestra’s Silver Jubilee all-Gershwin program and embarked on a cycle of Beethoven concertos at Santa Fe Pro Musica. She is currently recording the complete Beethoven piano concertos with Mexico City’s illustrious Orquesta Sinfónica de Minería, under the direction of Carlos Miguel Prieto. She also premiered and recorded a new concerto by the Danish composer Poul Ruders with the Vancouver Symphony, alongside Rachmaninoff’s Paganini Variations, and returned to play Gershwin with the New York Philharmonic at Bravo! Vail. Other recent highlights include performing the Mozart Concerto, K. 595 with the Philadelphia Orchestra, led by Sir Donald Runnicles; the Bach D minor concerto with members of the Philadelphia Orchestra; and Bach’s Brandenburg Concerto No. 5 with the New York City-based Le Train Bleu.
McDermott continues to perform with many leading orchestras, including the New York Philharmonic, Minnesota Orchestra, Hong Kong Philharmonic, National Symphony Orchestra, Los Angeles Chamber Orchestra, and the symphonies of Dallas, Seattle, Houston, Colorado, Pittsburgh, St. Louis, Atlanta, San Diego, New Jersey, Columbus, and Baltimore. She has also toured with the Australian Chamber Orchestra and the Moscow Virtuosi.
McDermott is a winner of the Mortimer Levitt Career Development Award for Women, the Young Concert Artists auditions, and an Avery Fisher Career Grant. She also received a 2024 Honorary Doctorate from the Manhattan School of Music, where she studied. She lives in New York City with her husband, Michael.
OFFICIAL BIO FOR THE 2025-2026 SEASON. LAST UPDATED MAY 2025.
PLEASE DESTROY ALL PREVIOUSLY DATED MATERIALS.
https://www.opus3artists.com/artists/anne-marie-mcdermott