Canadian-born conductor and pianist Yannick Nézet-Séguin is currently in his 14th season with The Philadelphia Orchestra, serving as music and artistic director. An inspired leader, Yannick is both an evolutionary and a revolutionary, developing the mighty “Philadelphia Sound” in new ways. Widely recognized for his consummate artistry, he has established himself as a musical leader of the highest caliber and one of the most thrilling and sought-after talents of his generation. His collaborative style, deeply rooted musical curiosity, and boundless enthusiasm, paired with a fresh approach to orchestral programming, have been heralded by critics and audiences alike. The Philadelphia Inquirer has said that under his baton the Orchestra is “at the top of its considerable form”; the Associated Press has called it “a premier orchestra at its peak”; and the New York Times wrote, “the ensemble, famous for its glowing strings and homogenous richness, has never sounded better.” 

Nézet-Séguin has taken The Philadelphia Orchestra to new musical heights in performances at home in Marian Anderson Hall at the Kimmel Center for the Performing Arts; at the Academy of Music, Carnegie Hall, the Mann Center for the Performing Arts, the Saratoga Performing Arts Center, the Bravo! Vail Music Festival, and the Kennedy Center; in Philadelphia neighborhoods; and around the world, beginning with his inaugural tour with the Orchestra to Asia in 2014. 

Yannick has shown a deep commitment to expanding the repertoire by embracing an ever-growing and diverse group of today’s composers and by performing and recording the music of underappreciated composers of the past, such as Florence Price, the first Black women to have her work performed by a major American symphony orchestra; Clara Schumann; William Dawson; Lili Boulanger; Louise Farrenc; and William Grant Still. His concerts of diverse repertoire attract sold-out houses, and he continues to make connections within the diverse communities of Philadelphia, showing his commitment to engaging music lovers of all ages across the region. 

Under Nézet-Séguin’s leadership, the Orchestra returned to recording in 2013 with a release on the prestigious Deutsche Grammophon label of Stravinsky’s The Rite of Spring and Leopold Stokowski transcriptions of works by Bach. Other releases for the label include Rachmaninoff’s Rhapsody on a Theme of Paganini and all four piano concertos with pianist Daniil Trifonov; Bernstein’s MASS; Mahler’s Symphony No. 8; Florence Price’s First and Third symphonies, which won the GRAMMY Award for Best Orchestral Performance in 2022; and Price’s Fourth Symphony paired with William Dawson’s Negro Folk Symphony. In Nézet-Séguin’s inaugural season, the Orchestra returned to the radio airwaves, with weekly Sunday afternoon broadcasts on WRTI-FM. In 2017, they also began a national series on SiriusXM. 

In addition to his role with The Philadelphia Orchestra, Nézet-Séguin became the third music director in the history of New York’s Metropolitan Opera in August 2018. He has been artistic director and principal conductor of Montreal’s Orchestre Métropolitain since 2000, and in summer 2017 he became the third-ever honorary member of the Chamber Orchestra of Europe. He was music director of the Rotterdam Philharmonic from 2008 to 2018 (he is now the ensemble’s honorary conductor) and was principal guest conductor of the London Philharmonic from 2008 to 2014. He enjoys close collaborations with the Berlin Philharmonic, the Vienna Philharmonic, the Bavarian Radio Symphony, and notable European festivals including the BBC Proms, Edinburgh, Lucerne, Salzburg, Berlin, and Grafenegg. Throughout Europe and North America, his appearances have left indelible marks on the international classical music scene. 

Nézet-Séguin’s talents extend beyond symphonic music into the world of opera and choral music. His critically acclaimed performances at New York’s Metropolitan Opera (where he made his debut in 2009, returning each season), the Vienna State Opera, Milan’s La Scala, London’s Royal Opera House, and Dutch National Opera demonstrate that he is an artist of remarkable versatility and depth. 

Nézet-Séguin, a five-time GRAMMY winner, and Deutsche Grammophon (DG) embarked on a major long-term collaboration in 2012; he signed an exclusive contract with the label in 2018. His recent recordings include projects with The Philadelphia Orchestra, the Metropolitan Opera, the Chamber Orchestra of Europe, the Orchestre Métropolitain, the Berlin Philharmonic, soprano Renée Fleming, and mezzo-soprano Joyce DiDonato, as well as the soundtrack for Maestro, and his first solo piano album. 

In 2022, Nézet-Séguin started as conducting consultant for two films: Maestro, a film by Bradley Cooper (who also plays the title role), also starring Carrie Mulligan, chronicling the life of Leonard Bernstein; and Happy Days, a Quebec film by Chloé Robichaud starring Sophie Desmarais in the role of a young conductor.  

A native of Montreal, Nézet-Séguin studied piano, conducting, composition, and chamber music at Montreal’s Conservatory of Music and continued his studies with renowned conductors, most notably Carlo Maria Giulini; he also studied choral conducting with Joseph Flummerfelt at Westminster Choir College. 

Nézet-Séguin was appointed a Companion of the Order of Canada in 2012, one of the country’s highest civilian honors; Companion to the Order of Arts and Letters of Quebec in 2015; an Officer of the Order of Quebec in 2015; an Officer of the Order of Montreal in 2017; Orchestras Canada’s Betty Webster Award in 2020; and the French government’s Officier de l’Ordre des Arts et des Lettres in 2022. His other honors include Musical America’s 2016 Artist of the Year; ECHO KLASSIK’s 2014 Conductor of the Year; a Royal Philharmonic Society Award; Canada’s National Arts Centre Award; the Virginia Parker Prize; the Prix Denise-Pelletier, the highest distinction for the arts awarded by the Quebec government; and the Oskar Morawetz Award for Excellence in Music Performance. He has also received honorary doctorates from the University of Quebec in Montreal; the Curtis Institute of Music in Philadelphia; Westminster Choir College of Rider University in Princeton, New Jersey; McGill University in Montreal; the University of Montreal; the University of Pennsylvania; Laval University in Quebec; and Drexel University in Philadelphia. 

AUGUSTIN HADELICH 

Violin  

"The essence of Hadelich’s playing is beauty: reveling in the myriad ways of making a phrase come alive on the violin, delivering the musical message with no technical impediments whatsoever, and thereby revealing something from a plane beyond ours.” ‒ WASHINGTON POST 

Augustin Hadelich is one of the great violinists of our time. Known for his phenomenal technique, insightful and persuasive interpretations, and ravishing tone, he appears extensively on the world’s foremost concert stages. Hadelich has performed with all the major American orchestras as well as the Berlin Philharmonic, Vienna Philharmonic, Royal Concertgebouw Orchestra Amsterdam, Bavarian Radio Symphony Orchestra, London Philharmonic, and many other eminent ensembles. In the 2025 summer festival season, Hadelich appears with the Boston Symphony at Tanglewood Music Festival, Mahler Chamber Orchestra at the Enescu Festival in Bucharest, Orchestre de Paris at the Lucerne Festival, as well as BBC Proms in London, Aspen Music Festival in Colorado, and the Grant Park Music Festival in Chicago. 

In the 2025/26 season, Hadelich will be the Artist in Residence with the Boston Symphony Orchestra where he will be featured in concerto, chamber music, and solo violin recital formats. He will also appear with the Chicago Symphony, The Cleveland Orchestra, New York Philharmonic, Philadelphia Orchestra, Pittsburgh Symphony, Houston Symphony, St Louis Symphony, San Diego Symphony, New World Symphony and the National Arts Centre Orchestra in Ottawa. Further invitations bring him to Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Staatskapelle Dresden, Bamberg Symphony, DSO Berlin, Munich Philharmonic, NDR Elbphilharmonie Orchestra, Tonhalle Orchestra Zürich, Vienna Symphony, WDR Radio Symphony Cologne, Festival Strings Lucerne, Accademia Nazionale di Santa Cecilia, Barcelona Symphony, BBC Philharmonic, Belgian National Orchestra, Czech Philharmonic, Finnish Radio Symphony, NCPA Orchestra Beijing, Orchestre National de Lyon and São Paulo Symphony. In April 2026, he will be in residence at the Tongyeong International Music Festival in South Korea. Recitals take him to New York, Boston, San Francisco, Seattle, Warsaw, Copenhagen, Graz, Heidelberg, Cremona and Taipei. 

Hadelich’s discography reflects his stylistic versatility and encompasses much of the violin repertoire. In 2016, he received a GRAMMY Award for his recording of Dutilleux’s Violin Concerto “L’Arbre des songes” with Seattle Symphony and Ludovic Morlot. A Warner Classics Artist, his most recent album “American Road Trip”, a journey through the landscape of American music with pianist Orion Weiss, was released in August 2024 and was awarded an OPUS KLASSIK in 2025 for Chamber Music Recording of the Year. Other albums for Warner Classics include Paganini’s “24 Caprices” (2018); Brahms and Ligeti Violin Concertos (2019); the GRAMMY-nominated “Bohemian Tales”, which includes the Dvořák Violin Concerto with the Bavarian Radio Symphony Orchestra and Jakub Hrůša (2020); the GRAMMY-nominated recording of Bach’s complete Sonatas and Partitas (2021); and “Recuerdos”, a Spain-themed album featuring works by Sarasate, Tarrega, Prokofiev and Britten (2022). 

Augustin Hadelich, a dual American-German citizen born in Italy to German parents, rose to fame when he won the Gold Medal at the 2006 International Violin Competition of Indianapolis. Further distinctions followed, including an Avery Fisher Career Grant (2009), U.K.’s Borletti-Buitoni Trust Fellowship (2011), and an honorary doctorate from the University of Exeter in the U. K. (2017). In 2018, he was named “Instrumentalist of the Year” by the influential magazine Musical America. Hadelich holds an Artist Diploma from The Juilliard School, where he studied with Joel Smirnoff, and in 2021, was appointed to the violin faculty at Yale School of Music. He plays a 1744 violin by Giuseppe Guarneri del Gesù, known as ‘Leduc, ex Szeryng’, on loan from the Tarisio Trust.