Stéphane Denève is Music Director of the St. Louis Symphony Orchestra, Artistic Director of the New World Symphony, and Principal Guest Conductor of the Netherlands Radio Philharmonic . He previously served as Principal Guest Conductor of The Philadelphia Orchestra, Music Director of the Brussels Philharmonic, Chief Conductor of the Stuttgart Radio Symphony Orchestra (SWR) and Music Director of the Royal Scottish National Orchestra. 

A graduate and prize-winner of the Paris Conservatoire, Denève worked closely in his early career with Sir Georg Solti, Georges Prêtre, and Seiji Ozawa. Passionate about the future of the art-form and a gifted communicator, he is committed to inspiring the next generation of performers and listeners through commissioning, digital and new media initiatives, and innovative approaches to concert presentation. As an educator, he leads the orchestral performance programme at the New World Symphony, and his work with young people has also included visits to the Colburn School in Los Angeles, Tanglewood Music Center, the European Union Youth Orchestra, Aspen Music Festival, the Curtis Institute, and Music Academy of the West. 

Recent European engagements have included appearances with the Berlin Philharmonic, Royal Concertgebouw Orchestra, Orchestra Sinfonica dell’Accademia Nazionale di Santa Cecilia, Bavarian Radio Symphony Orchestra, Vienna Symphony, DSO Berlin, Czech Philharmonic, the BBC Symphony at the BBC Proms, Royal Stockholm Philharmonic Orchestra (with whom he was invited to conduct the 2020 Nobel Prize concert), Orchestre National de France, Orchestre Philharmonique de Radio France, and Rotterdam Philharmonic.  

In North America, Stéphane Denève made his Carnegie Hall debut with the Boston Symphony Orchestra, and subsequently conducted the annual gala with The Philadelphia Orchestra, John Williams and Yo-Yo Ma. He is a regular guest with the New York Philharmonic, The Philadelphia Orchestra, The Cleveland Orchestra, Chicago Symphony Orchestra, Los Angeles Philharmonic, San Francisco Symphony, Dallas Symphony, Pittsburgh Symphony, Atlanta Symphony and Toronto Symphony. In 2022, Denève was honoured with an invitation to lead the official 90th Birthday Gala for John Williams at the Kennedy Center with the National Symphony Orchestra. He has also been a frequent visitor to many of the US summer music festivals, including the Hollywood Bowl, Aspen Music Festival, Tanglewood, Blossom Music Festival, Bravo! Vail, Festival Napa Valley, Grand Teton Music Festival, Sun Valley Music Festival, and Music Academy of the West.  

Elsewhere in recent years he has performed with the NHK Symphony, Sydney Symphony, New Zealand Symphony, São Paulo Symphony, Hong Kong Philharmonic, and the Saito Kinen Orchestra, with whom he was invited to conduct the 125th anniversary gala for Deutsche Grammophon at Suntory Hall alongside John Williams. 

Stéphane Denève frequently collaborates with many of the world’s leading solo artists, including Leif Ove Andsnes, Emanuel Ax, Joshua Bell, Nicola Benedetti, Yefim Bronfman, Renaud and Gautier Capuçon, Sasha Cooke, James Ehnes, Kirill Gerstein, Hélène Grimaud, Augustin Hadelich, Hilary Hahn, Sheku Kanneh-Mason, Leonidas Kavakos, Lang Lang, Olivier Latry, Isabel Leonard, Paul Lewis, Nikolai Lugansky, Yo-Yo Ma, Anne-Sophie Mutter, Kelley O’Connor, Víkingur Ólafsson, Stéphanie d’Oustrac, Golda Schultz, Gil Shaham, Akiko Suwanai, Nikolaj Szeps-Znaider, Jean-Yves Thibaudet, Davóne Tines, and Frank Peter Zimmermann. He also treasures the memory of Nicholas Angelich and Lars Vogt, two exceptional artists with whom he enjoyed a close musical friendship over many years. 

In the field of opera, Stéphane Denève has led productions at the Royal Opera House Covent Garden, Opéra National de Paris, Glyndebourne Festival, Teatro alla Scala, Deutsche Oper Berlin, Netherlands Opera (including a new production of Pelléas et Mélisande with the Royal Concertgebouw Orchestra for the Holland Festival), Saito Kinen Festival, Gran Teatre del Liceu, La Monnaie, and Deutsche Oper am Rhein. 

As a recording artist, Denève has won critical acclaim for his discography–in particular the works of Poulenc, Debussy, Ravel, Roussel, Franck, and Connesson. He is a triple winner of the Diapason d’Or de l’Année, has been shortlisted for Gramophone’s Artist of the Year Award, and has won the prize for symphonic music at the International Classical Music Awards. His latest release – Concerto for Orchestra, Silent Night Elegy & Virelai – was recorded with the St. Louis Symphony and Pulitzer Prize-winning composer, Kevin Puts. Other recent recording projects have included Bernstein’s Serenade after Plato’s Symposium and John Williams’ Violin Concerto No. 1 with James Ehnes and the St. Louis Symphony Orchestra; a live recording of Honegger’s Jeanne d’Arc au bûcher with the Royal Concertgebouw Orchestra; an album of John Williams’ film music recorded for Deutsche Grammophon; and two discs of the works of Guillaume Connesson with the Brussels Philharmonic (the first of which was awarded the Diapason d’Or de l’Année, Caecilia Award, and Classica Magazine’s CHOC of the Year). A box-set of his complete Ravel recordings with the Stuttgart Radio Symphony Orchestra was released in 2022 by Hänssler Classic. 

Carter Brey was appointed Principal Cello, The Fan Fox and Leslie R. Samuels Chair, of the New York Philharmonic in 1996. He made his official subscription debut with the Orchestra in May 1997 performing Tchaikovsky’s Rococo Variations under the direction of then Music Director Kurt Masur. He has since appeared as soloist almost every season, and was featured during The Bach Variations: A Philharmonic Festival, when he gave two performances of the cycle of all six of Bach’s cello suites. Most recently, he was the soloist in performances of Haydn’s Cello Concerto in C major at David Geffen Hall in February 2020 and at the Bravo! Vail Music Festival in July 2021, with then Music Director Jaap van Zweden conducting on both occasions. 

He rose to international attention in 1981 as a prizewinner in the Rostropovich International Cello Competition. The winner of the Gregor Piatigorsky Memorial Prize, Avery Fisher Career Grant, Young Concert Artists’ Michaels Award, and other honors, he also was the first musician to win the Arts Council of America’s Performing Arts Prize. 

Brey has appeared as soloist with virtually all the major orchestras in the United States, and performed under the batons of prominent conductors including Claudio Abbado, Semyon Bychkov, Sergiu Comissiona, and Christoph von Dohnányi. He is a member of the New York Philharmonic String Quartet, established in the 2016–17 season, and has made regular appearances with the Tokyo and Emerson string quartets, The Chamber Music Society of Lincoln Center, and at festivals such as Spoleto (both in the United States and Italy) and the Santa Fe and La Jolla Chamber Music festivals. He and pianist Christopher O’Riley recorded Le Grand Tango: Music of Latin America, a disc of compositions from South America and Mexico released on Helicon Records. 

Carter Brey was educated at the Peabody Institute, where he studied with Laurence Lesser and Stephen Kates, and at Yale University, where he studied with Aldo Parisot and was a Wardwell Fellow and a Houpt Scholar. His violoncello is a rare J.B. Guadagnini made in Milan in 1754. An avid racing and cruising sailor since childhood, he holds a Yachtmaster Offshore rating from the Royal Yachting Association.